Her brooding additions boast dark, looming, downtempo electronic production reminiscent of Nigel Godrich, and by the time Moses Sumney joins her on “Shed You”, their joint vocal allure transforms into the sonic embodiment of lust. By acting within the film, Thompson creates a distinct relationship with her songs, treading some unexplored middle ground between SBTRKT and FKA twigs with clear weight. Tessa Thompson - who plays Bianca, a singer-songwriter Adonis falls in love with - holds three standout songs to her name here: “Breathe”, “Grip”, and “Shed You”. That said, Creed’s soundtrack is by no means a waste. The real highlight is Vince Staples’ verse on survival amidst poverty and police brutality, but when squished into a 30-second rally cry, it’s washed away. An orchestra wastes no time with the dramatics, punching up string sections and trombones clearly written to accent certain actions in a scene alongside Glover’s croon, but, without the film in front of us, it all feels a bit forced. Then there’s “Waiting For My Moment”, the collaboration between Donald Glover, Jhené Aiko, Vince Staples, and the film’s composer, Ludwig Göransson. There’s a chorus too generic to feel personal (“I got angels all around me/ I got love all around me/ I’ll be a fighter ’til the end, til my last breath/ I’ma hustle ’til my last breath”) and monetary achievements as yardsticks (Moët & Chandon, safe-locked jewelry, a Rolls-Royce Wraith) instead of, you know, familial revenge, steadfast passion, or the evolution of identity through sporting competition - all of which are justified in their own clichés, especially when delivered so genuinely in the film itself. “Last Breath” does reshape the sample into a new, self-assured backbeat, but, given it’s Future’s first release since DS2 and What a Time to Be Alive, it suggests he propped his feet up in the aftermath of chart-topping success. For containing such ripe fodder, his remake settles a bit without the film as context.
Jordan), son of his old opponent Apollo Creed - the original Rocky theme is sliced up and left sputtering in the background of Future’s “Last Breath”. In this year’s Creed - the emotional seventh Rocky film that sees Rocky Balboa (Stallone) train Adonis Johnson ( Michael B.
For that exact reason, it’s helpful both with and without the film’s context, giving athletes and the like motivation to push through whatever struggles line up in their way. In under 10 seconds, the staccato horn fanfare builds empowerment for anyone that wants to use it. Bill Conti’s “Gonna Fly Now” manages to challenge Sylvester Stallone’s performance as Rocky Balboa for the title of the most iconic element of Rocky, both still relevant nearly 40 years after the film’s release.
#Fruitvale station soundtrack movie#
Everyone, whether they’ve seen the movie or not, knows the Rocky theme.
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